Nietzsche exempts Heraclitus from the charge levelled at other philosophes that in denigrating the senses and the body, and in dehistoricizing concepts, they kill them and stuff them, turning them into mummies. Nietzsche’s admiration of Heraclitus is not surprising in light of the resemblances between the two writers, not the least of which is that they inspire so many divergent, and contradictory, readings. As it becomes increasingly clear—thanks to Nietzsche and to those whom he inspired—that much more is contingent than (...) we had thought, one hesitates to make too much of stylistic coincidence. Still it is worth exploring whether there is a connection between the style, structure, and content of what they wrote, and the extraordinary range of readings ascribed to the writings. (shrink)

Nietzsche exempts Heraclitus from the charge levelled at other philosophes that in denigrating the senses and the body, and in dehistoricizing concepts, they kill them and stuff them, turning them into mummies. Nietzsche’s admiration of Heraclitus is not surprising in light of the resemblances between the two writers, not the least of which is that they inspire so many divergent, and contradictory, readings. As it becomes increasingly clear—thanks to Nietzsche and to those whom he inspired—that much more is contingent than (...) we had thought, one hesitates to make too much of stylistic coincidence. Still it is worth exploring whether there is a connection between the style, structure, and content of what they wrote, and the extraordinary range of readings ascribed to the writings. (shrink)

Analytic and feminist philosophers already uncomfortable with the practice of devoting special sessions at meetings and special issues of journals to "feminist aesthetics" may find that this piece adds to their uneasiness. If "feminist aesthetics" is treated as a special topic within aesthetics, then should we infer that the rest of the time we do masculine aesthetics? some feminists would argue for an affirmative answer to this question; the title acknowledges them in insinuating that if analytic aesthetics is not feminist (...) aesthetics, then it might be (or must be) masculine aesthetics. This essay will consider whether "feminist aesthetics" and analytic aesthetics are congenial, or at least compatible, activities, and in so doing, explore what constitutes "feminist aesthetics.". (shrink)

In Historied Thought, Constructed World, Joseph Margolis identifies the philosophical themes that will dominate philosophical discussions in the twenty-first century, given the recognition of the historicity of philosophical thought in the twentieth century. In what follows I examine these themes, especially cognitive intransparency, and the arguments presented in favor of them, noting the extent to which they rest on a view of language that takes a written text, and not speech, as the paradigm of language. I suggest if one takes (...) speech as a mutual embodied action in a shared space as a model for language, the theme of cognitive intransparency—and the problems it brings in its wake—does not loom so large for those of us working in the history of philosophy. I conclude by showing that if we adopt this suggestion in relation to early Greek philosophy, that is, the period in the history of historied thought in which philosophy itself emerges as a linguistic and intellectual activity, we can better understand how and why philosophy emerged as it did—in the form of dialogues by Plato. (shrink)